Lucy Martin

Lucy Martin creates bold, modern jewelry for strong women. I love the clean lines and bright gemstones paired with dark oxidized silver.  After getting to know more about Lucy and her inspiration, I am even more enamored with the collection - especially her earrings, and even more specifically her Duo Earrings. Enjoy the interview below!  

The Beginning

I studied jewellery design and making in Birmingham School of Jewellery (UK) many moons ago – following an interest in counter-culture, body art and large-scale body jewellery. I was drawn to bold designs in metal and how they interact with the body.

After my studies I lived in Oxford, where I shared a studio with an amazing female silversmith. She was incredibly generous with her knowledge, and taught me lots about how to run a jewellery business. During this time, my business gained momentum and I started getting regular clients. In 2002 I returned to London, and moved into Cockpit Arts’ new building in South London, I was one of the first residents there.

The Process

I usually sketch with an intention, knowing in advance if it’s going to be rings or earrings for example. But the most common way I’ll start designing is by gathering images for inspiration by taking photos on my mobile. Usually I seek out interesting colour combinations and textures, or a small architectural detail seen in the city. From this I’ll think about how to recreate the effect with gems, and start the gem selection this way.

The Inspiration

Colour: In particular in textiles & interiors design, I look to these much more than I look to jewellery really.  I’m a huge fan Kit Kemp & Abigail Ahern in interiors, both of whom use colour & contrast brilliantly.  Whenever I travel I collect textiles from those places, I especially love Indian and Moroccan textiles - their use of pattern and colour is so bold & modern.

Materials: I definitely think of gemstones as my primary material rather than metal. I love to create bright & moody contrasts, or contrasts in texture and structure. This is why I often work with moonstones, they serve as a tempering, subtle force against more sparkly stones.

Strong women, particularly in music and art: I was studying art during the grunge era; the bands were feminist and the look was full of contrast, boots with nightdresses, sequins with army jackets.  I think I still love that contrast and can see it in my work – I have to balance the bright, sparkly stones with the darker non-precious ones. Strong women who are successful on their own terms inspire me and I’d like to think my designs are for them.

Bold sculptural forms: I’m a fan of modernist architecture, especially the detail inside those buildings - they really inspire me when I’m working on the mechanics of my work, the clasps & fixings etc.  And I absolutely love the sensuous forms of Isamu Noguchi’s and Barbara Hepworth’s sculptures.

Favorite design: The Airstream earrings are my current favourite. They embody my design ethos as a whole: the sleek shape echoes mid-century design and they feature strong contrasting colours and asymmetry. They also articulate and hang really well when worn. 

Personal collection: Within my own collection, my favourite is a vintage necklace which is a long plat made with several strands of tiny gilded beads. It’s a lovely statement piece from the 1930’s.

Daily jewels: On a day-to-day basis I just wear my gold wedding ring and a gold nose ring! For special events, I wear my silver and gold ring with a white star sapphire which has a beautiful internal structure.

Favorite designers: I think fashion label Delpozo is wonderful – Designer Josep Font makes joyful colourful creations. They are really feminine but also unapologetically bold & sculptural.  

In jewellery, I love the Munsteiners and Petra Class, their use of colour & texture is brilliant.

Other than jewelry: I love to travel, whether for short breaks in the UK or internationally – India is one of my favourite places to visit. I plan my year so I have seasons of work regularly followed by travel, I find it really refreshing.

When I return from those trips, I always know what direction my business is headed in.  Sometimes it is a direct visual inspiration from the trip, but sometimes just being away from home and my usual routine just ‘unlocks’ the brain.

Currently listening to: I can never pick a favourite, but this month I’m listening to Sia whenever I need a lift – that voice!

Daria de Koning

Daria de Koning has been designing and making fine jewelry for a decade, she has been creating with beads and collecting rocks for much longer. Daria is a gemstone nerd and her passion for stones is truly contagious.  I connect with Daria because she is a sarcastic East Coaster, I connect with her jewelry because she pairs colors and stones in very unexpected ways. She mixes perfectly polished, vibrant cabochon-cut stones with very unique, rough and often rare stones. Her work is incredible. Daria will be exhibiting at Couture for the first time and I am so excited to see her latest designs. More about Daria below!

The Beginning

I started creating jewelry at a really young age. I can't remember exactly, but I remember looking for mica in the dirt and that was when I started loving sparkly things.  Plus, tearing it apart was fun. I started beading and creating around the age of 10. There was a bead store near my grandmothers house. I couldn't get enough of that shop and going there became a special treat.

The Process

I'm not a very good illustrator. It's pretty basic when my ideas come out on paper. Sometimes I'll go through a bunch of ideas, but none of my sketches are perfectly illustrated. I'm too impatient for that.  But, I do see in 3D, so it's easier me to get right to the bench and make the piece. And luckily I the people who work with me understand my aesthetic and can build my ideas.

The Inspiration

So many things inspire my work. Vague, I know. Color and shape are the main things. Somehow when I see certain shapes and colors I know they are meant to be together. That is attributed a lot to the genius of gem cutters who figure out how to highlight a stone. Art is influential to my design as well. I like landscapes and still lifes as much as abstract, absurd and perfectionism. I love architectural elements - especially ironwork. I'm always interested in how things work together, how elements and angles come together. Plus, the natural growth and shapes of gems and rocks as they are formed is so interesting to me. Nature is always intriguing, but my inspiration comes from something more specific - the design part of it, the colors, the interacting shapes.

Favorite Designs: I love jewelry that is stunning and complex. Jewelry that isn't for everyone - it takes a certain person to connect with the design.

Daily jewels: I always wear stud or hoop earrings and my wedding rings. Sometimes I'll throw on a thumb ring or a necklace if I'm feeling perky. If I'm leaving my studio I'll wear big earrings and more rings or a bracelet.

Favorite artists and designers:  I love old Japanese woodcuts, Miro, Dali, Giacometti, Calder, Vik Muniz and Richard Serra. Geez, I am definitely forgetting some....

Other than jewelry: I like to play tennis, sometimes golf and I love riding horses. I also like socializing, wine, entertaining, cooking, as well as complicated puzzles and games. I love painting and letting myself get lost in any kind of creation. 

Currently listening to: I listen to a wide range of music depending on my mood. Often it's on when I'm sitting at the bench or playing with stones, so I need a beat. Usually EDM, chill or obscure indie stuff. The last three songs saved on my Spotify are: Sekoia by Vague Wave, I'm with Polly by City of the Sun and Stay by Chet Porter.

Leyla Abdollahi

COUTURE, a fine jewelry trade show, is less than two weeks away and my anticipation is growing. This will be fifth year attending the show and it never fails to introduce me to the most incredible designers. One of the designers on my must-see list is first-time exhibitor, Leyla Abdollahi. Her work is bold, unique and magical. I cannot wait to try on this stunning collection of jewelry. Get to know more about Leyla and her inspiration below! 

The Beginning

I started designing jewellery in my early teens. At that time, I didn’t have any professional training or knowledge about jewellery making and it was purely based on passion and hobby. Few rough sketches and designs here and there, resulted in creating some of those designs to tangible pieces of jewellery. Years later I moved to London and I enrolled in BA (Hons) in Jewellery design at Central Saint Martin’s University of Arts London and that’s how I turned my passion to profession.  

The Process

Inspiration is always the main step. I explore and study the concept first and then it leads to drawing my ideas in any forms and shapes more like storytelling. During times when I am designing, I tend to use mood boards to express my design direction.

The design process will begin with certain ideas in mind and those ideas will get fully developed in different stages. A natural process which influences the design progress significantly and that is how the journey goes from Ideas to concept and final design.

The Inspiration

I enjoy free-flow experiment, which stimulates and intensities my imagination and creativity.  My visual memory is rather dynamic and vivid. Anything that captivates my vision to think beyond the ordinary life such as my fascination for fantasy mythology, mystical stories could become source of inspirations.

I am constantly inspired by art, history, architecture, traveling, nature with its marvelous organic art forms and shapes or simply listening to a great piece of music.

Favorite artists and designers: The list goes on, as there are too many incredible artists and designers that I admire. Just to name a few; Daniel Merriam, Louise Bourgeois, Agostino Arrivabene, Eiko Ishioka, Salvador Dali, Gaudi, Zaha Hadid, Alexander Mcqueen, Jaroslaw Kukowski and Mark Ryden.

Other than jewelry: Living in a city like London offers the opportunity to explore artistic affairs that are happening all year round where you can immerse yourself in art, culture and architecture. Working on my personal art projects such as painting and sculpture, hanging out with friends and enjoying their company, reading on my favourite inspirational subjects are among some of my favourite activities.

Currently listening to: Kadebostany, Kovacs, Moby, Everything But The Girls. Depeshmood, Milo Hafliger, Lana Del Rey and Phoebe Killdeer & the Short Straws.

Kristi Sword

When I first met Kristi Sword at Brooklyn Metal Works she had her head down at her bench, intently focused on her work. She paused for a few minutes to show me some of her finished designs. I was immediately drawn to the interesting movement and beautiful craftsmanship of her pieces. On that same trip to NYC, I made sure to stop by Love Adorned to see more of her collection. I have been a fan ever since. Get to know more about Kristi below!

The Beginning

I was majoring in fashion design at the Savannah College of Art and Design and a friend of mine kept talking about how much she enjoyed the metalsmithing class she had just started taking. I was not really sold on fashion design and out of curiosity I ended up taking the class. On the first day I remember the instructor saying when you learn metalsmithing you have to be focused and you can’t think about anything else except learning this skill. This process of working with metal became a very meditative act for me, and I really enjoyed that aspect the most. Some of the techniques were so delicate and precise I would have to hold my breath at times while trying to perfect them. I loved the process of making jewelry with my hands and not having to rely on a computer or drawings like I was having to do for my fashion classes. It just made sense for my hands to be working with my brain in this way. 

I have also been very fortunate to have really amazing mentors throughout my jewelry making experience, that have really challenged me to push myself and who gave me confidence to do so. As well as to persevere, which has been the biggest challenge of all at times.

The Process

I sketch using various materials. I usually have a rough idea in my head, or the beginning of an idea, that I create in wax, metal, combinations or whatever material I find will do the trick. The rough sketch is always a sample, I never really allow myself to be too free even in these first drafts. I always want the execution to be as tight and as clean as possible. As I progress with the design I usually start on something else. I have a few things happening on my bench at once and shift my focus back and forth until something is complete, which is why it takes so long to finish anything but I think this pause is very important to my way of working. The back and forth and time in between gives ideas a chance to simmer and grow. I find this method works for me although I should start an idea journal. A lot of times I will have an idea while I am making that I later forget about because I didn’t write it down. 

While I was in school at SUNY New Paltz we were introduced to idea generating exercises that have served me well since. 100 drawings / 10 piece project. These were quick exercises we would complete over the summer and bring the first day of class so we could begin a dialogue right away about our work. It has been a useful assignment to give myself when ideas aren't flowing as freely or when I am not around traditional metalsmithing tools but still want to brainstorm/make. 

The Inspiration

I am inspired by the visual systems that happen in nature and how these systems are mimicked on smaller scales as well as much larger scales. I am very interested in the overlapping of patterns and how all of these formulas that we use are derived from nature. How nature always provides the best methods/systems for building/creating. Above all, finding the order in nature. 

I am inspired by different materials and the memory they stimulate through sensory experience. I love finding the story each holds and modifying it through breaking it down and reshaping, by dismantling the material and mending it back together in a new way.

Favorite Design: My newest work. I have been working on this collection of jewelry for the past three years and I’m finally noticing a shift in the work. It has been a slow build. A combination of my 2-d and 3-d work is starting to combine itself into jewelry form and creating an interesting direction for me to take. At the beginning I was trying to make my work really sellable and not really thinking about design as much. I feel like I am starting to embrace what I do. I love creating tiny sculptures that could or could not have anything to do with jewelry depending on the decision to put an earring back or necklace chain on them.

Personal Collection: My favorite pieces are made by friends. I love the personal memories they evoke and I really value the friendships I have with the people that created them. I have seriously talented friends!!!

Daily Jewels: My wedding band made by my dear friend Nikky Bergman. She is incredibly talented and makes really amazing engagement rings and wedding bands! Other than that I am occasionally testing out new pieces that are fresh off the bench and need to be taken out for a spin before they go into production but I don’t really like wearing jewelry for the most part. I just really love making it.
 

Favorite Artists and Designers: Ann Hamilton, Sarah Sze, Jessica Stockholder, Marco Maggi, Ann Wilson, Agnes Martin, Antonio Bernardo, Tone Vigeland. As well as past professors/mentors: Jay Song, Lanelle Keyes, Taweesak Molsawat, Sarah C. Turner, Jamie Bennett, and Myra Mimlitsch-Gray. 

Other than jewelry: My husband and I like to take long adventure walks across the city, exploring. The great thing about New York is that everything changes so fast that all of the routes become new even if you take the same ones. That is one of the things I like most about living here and have found that I need to be in an environment like this. I am such a creature of habit it forces me out of routine through the quick cycling of people and time. I also enjoy sunbathing in the park, I have a designated spot you can find me during the summer.

Currently listening to....

Band: My husband is a musician and goes by Helado Negro, he is my ALL TIME FAVORITE! The music he makes is mellow and kind of goes off on a bunch of different tangents which keeps the sounds extremely unique and distinct. He is really inspiring because he creates in many other areas as well, making his own videos and costumes. I love being a witness to his creative process. He never stops!!!

Song: The Necessaries, "More Real" - Arthur Russell was a member of this group. I am a big fan of his solo work as well.

Album: Nina Simone, “To Love Somebody”

Marie Mas

As soon as I saw Marie Mas' work on Couture's Instagram page, I fell in love. Innovative designs that transform and move have been the most inspiring to me recently and Marie's work combines all of those things in the most beautiful way. She uses pastel colored stones set in rose gold to create jewelry that is romantic and soft as well as a bit edgy. I am so very excited to see these pieces in person at Couture in a few weeks!

The Beginning

At the beginning I studied textile design but the personal projects I worked on always came out to be jewels. Then I started studying accessory design and it also took the shape of jewelry; jewelry-bags or jewelry-shoes - Jewelry actually came to me very naturally.

The Process

In my process, I firstly think of new concepts, new ideas, new techniques. Then I sketch and make mock-ups, sometimes only in paper, to see the shapes and then draw again.

The Inspiration

For me everything is inspiring, it can be from a dive, or from a building's detail, or a flower, or an exhibition, anything from everyday life. More generally, I would say that it comes from 2 main things : nature and architecture. The only thing that I hate is looking at jewels to create jewels - in my opinion you will never make something new that way.

Favorite design: That's an hard question. Let's say the one I would wear the most would be the dancing open ring, which I wear all the time! Cause it is moving with me, so it's like it's alive and I like the idea that the jewelry is more than an object, that it have some kind of soul.

Daily jewels: There are 4 rings that I love and often wear, one is the dancing open ring and the others are family rings. One comes from my mom, one from my grandmother and one from my other grandmother. I believe in the power of jewelry and when I wear them I feel like they are with me. I also daily wear the swiveling stud earrings, and the dancing earrings when I go out.

Favorite artists and designers: My favorite artist is definitely Theo Jansen, he is making alive sculptures, he is an artist and a engineer in the same time. I admire him SO MUCH. My dream is to see his strand beast on the beach! I also really love the work of the painter Lucian Freud, his paintings are so real and have such a soul and a particular touch in the same time. His work is really amazing. My favorite designer is Nendo, I love the way he brings poetry in design.

Other than jewelry: I LOVE to dive, when I can (Paris is not the best place to dive), the underwater world is absolutely magic and also very inspiring! I also love to draw people, to make portraits. 

Currently listening to: Angels by The xx.

Baker & Black

Baker & Black is a sculptural and colorful collection of jewelry that is handcrafted in Brooklyn, NY by Megan Baker. I love these designs because they have a unique retro feel yet are also bold and innovative! Many of the pieces have cool movement or removable parts so they can be worn several ways. I have been into larger statement pieces recently and find this collection so exciting because it breaks the current trends of dainty jewelry but is also very wearable. Get to know more about Baker & Black below!

The Beginning

I was fortunate enough to go to a high school with a jewelry studio so I started there. I then went to Pratt where I took elective jewelry courses and after graduating I continued to take classes to learn jewelry fabrication. I also started working at Doyle & Doyle, an antique jewelry store in lower Manhattan, which is where I learned about gemology and the history of jewelry design. It was amazing to have such a hands on education—I was always examining pieces to see how they were made. left there to start Baker & Black.

The Process

It starts with LOTS of sketching, that's probably the most time consuming part of my process. Once a design feels right, I will make technical sketches—with a couple different views, if necessary—filled with measurements and production notes. I can stew over a concept for ages. I often go through old sketchbooks and discover old ideas that I am now ready to flesh out. 

The Inspiration

I am always visiting museums and galleries and I often find myself taking note of interesting color choices I come across which I bring with me when playing with gemstones. Indirectly, I think filling my life with art exercises my brain in a way. It gives me new ways of seeing and forces me to be more thoughtful and consequently more creative.

Favorite design: I love the Jigsaw Ring. It's a chunky cocktail ring but it is quite light and has a low profile. When I was making the ring I had very little confidence the final product would look good. It combined mixed metals and bold gemstone combinations so I thought it might look garish. I also thought it was so crazy it just might work. Fortunately, the latter proved true. I made myself the aquamarine and diamond version to make up for all of the mediocre aquamarine jewelry I received as a March baby.

Personal collection: My grandma never had much fine jewelry but she recently gave me a steel cuff her father made for her. He worked in a steel mill in Indiana and he made it in his down time. He even engraved it with her initials. I keep it on my desk and like to wear it while I work.

Daily jewels: I always wear jewelry when I leave the house. I pretty much wear the same things everyday and switch it up for special occasions. Hands: my gold wedding band (which I made many moons before Baker & Black), the Caduceus Ring with a mauve-y pink spinel, a diamond ring from 1920 ("Xmas '20" is engraved on the inside, swooooon) my husband gave me for our two year wedding anniversary and either the Swirl Gimmel Ring or the Jigsaw Ring with aquamarine. Neck: an engraved gold locket from the early 1900's. Ears: either a pair of Georgian diamond earrings or the Covalent Earrings.

Favorite Designer: One of my favorite designers is Rachel Comey. I think her work is so original and beautiful. I never tire of the pieces I have and I am always complimented when I wear them. I also really admire her brand. I recently listened to an interview with her that really inspired me. She says she created the brand so she could live a creative life and enjoy every day, which I really relate to. She also discusses how she never took any funding and originally financed the line with credit cards and she just celebrated her 15th anniversary and has two beautiful stores. It was very encouraging to hear.

Other than jewelry: I love to read. I subscribe to The New Yorker and The New York Times and I always pick up The Gentlewoman and Apartamento whenever I come across them. As for fiction, I am currently reading The Harder They Come by T.C. Boyle, and some recent favorites are The Underground Railroad by Colson Whitehead, Homegoing by Yaa Gyasi and The Round House by Louise Erdrich. 

Currently listening to: Freetown Sound by Blood Orange. Whenever "Best to You" comes on I have to play it at least twice.

Collar Necklaces

Choker and collar necklaces have been in and out of fashion for hundreds of years. The trend started to make its first comeback since the 90s in 2015 or perhaps the year before. I ignored it because I didn't love the look. However, recently while I was exploring Melissa Kaye's site I came across a thin gold collar necklace that seemed perfect for layering. I dove deeper and found more collar-style necklaces that I have been dreaming about wearing, so I thought I'd gather them for a quick post. I'm excited to see how this trend continues to evolve! Also, I plan to try some of these on soon and hopefully add one (or more) to my collection.

Erica Leal

Erica Leal is a designer I have not been able to stop thinking about since a photo of her earrings popped up in my Instagram feed thanks to A Thousand Facets. Her work struck me because it's truly unlike anything I've seen before. Erica's designs are strong and geometric but include of a delicate inlay technique. Her color combinations are unexpected, yet so distinctive. As soon as I decide on which piece to purchase, I will be adding her work to my jewelry box. More about Erica below!

The Beginning

I originally went to Camberwell College in London for my foundation year in art believing I would probably specialize in textile design, but that’s not what happened. The foundation year at Camberwell really worked for me, as it helped me recognize my interests and gave me the freedom to approach assignments in whatever way I wanted - my medium ended up being jewellery.

When my course ended I had to return to Canada, where I completed my degree in Metalsmithing and Holloware at the Nova Scotia College of Art and Design. It was there that I became interested in the performative nature of jewellery. I like that there is a maker, a wearer and a viewer in dress, and between each role there is opportunity for interpretation.  I also love that wearable art is inherently relatable - when you see a glove, you can picture it on your hand. I mainly made conceptual work in school that explored these ideas, but I found that I didn't like that the pieces existed only in galleries. I wanted my work to be accessible and active in the world so after graduation I did an internship in New York with Pamela Love to learn more about production and fashion jewellery. That was a great experience and while providing me with valuable insight also gave me confidence in the skills I had been honing at NSCAD.

I eventually moved back to London. Without a studio I began mocking up pieces in RHINO and elaborating on techniques and designs I had experimented with in college. I gain a lot of inspiration from computational art and enjoy blending older metalsmithing techniques with the output of new technologies. That's where my current line arose from and I suppose I've been kind of riding this cyborg wave of creation ever since.

The Process

When I'm in designing mode I sketch in a kind of a manic way, as in a ton of little doodles all over the place. I draw mainly outlines to get an idea out of my head before it disappears. I'll then elaborate with a more detailed sketch, and if I like it will then render it three dimensionally in CAD to see how it's proportions look and if there is anything functional that doesn't work. If there is a part that needs to be made by hand I'll make it while the prototype is being printed and then go from there.

The Inspiration

My inspirations keep accumulating over time. When I first started making jewellery I was inspired by the 30's choreographer Busby Berkley. Then later on became interested in Russian constructivism, particularly the work of Varvara Stepanova. I'm also inspired by nature and space.

Favorite Designs: I probably wear the Day Dreaming earrings most. I love the shape, the closure is unique and the size is great for casual or dress. I also wear the Pacis, Pax and Cyndy rings all stacked together. It's a solid look and if I tire or it throughout the day there's a ton of different arrangements I can shuffle between. 

Daily jewels: An antique turquoise ring that was given to me by my partner and a pink sapphire ring that my mom gave to me when I turned 18.

Favorite Artists / Designers: A few that I keep coming back too are Karl Fritsch, Hiroshi Suzuki, Ruth Asawa, Varvara Stepanova, Oskar Schlemmer, Donna Haraway, Rebecca Horn, Augustin Lesage, Annie Pootoogook. 

Other than jewelry: I'm still figuring out a work-life balance, but when I do get the chance I like to hang out with the people I love, outside if possible. I recently moved to Vancouver and being from the prairies I'm finding the beach and mountains to be pretty novel still. I hope to do more camping and traveling this summer, I love a bonfire and a beer.

Currently listening to: It's been exceptionally rainy here in Vancouver but I usually find Soul music keeps me going on my soggy walks home. I think I could walk through a mild hurricane listening to Otis Redding. 'That's How Strong My Love Is' and 'You Don't Miss Your Water" are my go-to songs. 

Sirciam

Mai and Christopher are not only the designers behind Sirciam, but also two of the nicest people I've ever met. While I'm not typically a lover of rose gold, the color palette of the tourmalines and moonstones used by Sirciam, is so beautifully suited by the rosey shade. The best way to describe their collection is dreamy.  

The Beginning

We first started creating jewelry after we got married a little over 6 years ago.  It was my wife Mai's dream to create jewelry and I thought it would be too expensive to undertake.  We decided to use our wedding money to make the first 6 or so pieces of the collection.  Slowly we would create more pieces as they began to sell.

The Process

Mai sketches first, then we start to sculpt together with wax.  After we're satisfied with the model then we cast it.  Everything is made by hand.

The Inspiration

Nature inspires our jewelry, along with life experiences here in Los Angles, and during our travels around the world.

Daily Jewels: Mai wear's our Sunburst Ring, Sirciam Eternity Band, along with a pear shaped engagement ring.

Currently listening to: We Are Born by Sia

Diana Mitchell Jewelry

This fall I went to a press preview that showcased four designers: Tura Sugden, Kimberlin Brown, Sophie Hughes and Diana Mitchell. I knew the first three well, but had not met Diana. I discovered that her jewelry is delicate and stackable but also unique. It's all yellow gold and diamonds, which is my favorite combination. The pieces feel very special. Get to know more about Diana and her collection below!

The Beginning

I have always been a hands-on and design oriented person, but I took my first metalsmithing class about seven years ago after graduating from college, where I studied architecture and architectural history. I was hooked from the moment I soldered my first piece. I felt like I was making personal tiny pieces of architecture.

I quickly decided I wanted to pursue a career in jewelry and I moved to NYC to attend the jewelry design program at FIT. I then worked as a jeweler for a few years for different designers in New York before starting my own line in 2013. Last year I moved my studio from Tribeca to Brooklyn, where I now design and make each piece.

The Process

My design process is not strict or set in stone. But I do usually sketch a lot before starting to work on a piece at the bench. I find that drawing helps me develop the design and also work out the technical details. Then the design often changes somewhat as I start to carve wax or work in metal and I see the piece come to life.

The Inspiration

I think my background in architectural design definitely influences my jewelry. I focus heavily on the form and function of each piece. When designing, I think a lot about how the piece relates to the body and to other pieces in my collection. I am also inspired by the materials themselves –18k gold is such a beautiful metal to work in!

Favorite design: My favorite piece from my own collection is always changing - it seems to be whatever is new! So right now, that would have to be my new half moon rings.

Personal collection: My favorite piece is a necklace my grandmother passed down to me. It is a solid gold woven chain lariat with carved lion head ends that have tiny ruby eyes. She got it while traveling in Greece with my grandfather.

Daily Jewels: I have one necklace that I have worn every day for the past 4 years, my gold arrow necklace. It is the piece that my first collection was built on. Along with a rotating collection of gold rings, I always wear my wedding band and a Nora Kogan “mama” ring that my husband gave me for my first Mother’s day. I also always wear some combination of gold studs.

Favorite designers: There are so many amazing jewelry designers and craftsmen I admire. But to name a few past and contemporary designers whose pieces have literally taken my breath away – Rene Lalique, JAR, Judy Geib, Marie-Helene de Taillac, Lucifer Vir Honestus, Anthony Lent and Polly Wales.

Other than jewelry:  I have a 1 year old, so when I’m not making jewelry, I love to explore the city or hang out at the park with him. When we can get away, I love trying new restaurants and seeing live music with my husband and friends.

Currently listening to: Now that Thanksgiving is over, I’ve been listening to Christmas music non-stop! But when it’s not Christmas time, I always love the Gin Blossom Spotify station, that is if I’m not listening to a podcast.

My favorite designs by Diana are below, but check out her website to see more!

Digby and Iona

Digby and Iona is a brand that I have been following for many years, since before I began working in the jewelry industry. I continue to be captivated by their authenticity and passion. The man behind it all is Aaron Ruff. He started experimenting with jewelry as a side project 10 years ago while he was a woodworker. That side project grew into the brand Digby and Iona.

Each piece is hand-crafted in his Brooklyn studio and many are one-of-a-kind. The designs are inspired heavily by antique references from Medieval to Victorian, but also by everyday observations.

Favorite design: It’s generally very fluid but is always the most recent, most ridiculous engagement ring I’ve made.

Personal collection: I have a Victorian gold signet with a fox face carved into the back of an emerald.

Daily jewelry: I switch it up a lot but I’m always wear testing the new signet ring prototypes.

Favorite artists: The artists I’m most inspired by at the moment are Ryan Thomas Monahan (IG @what_thehell) and Kirsty Elson (IG @kirstyelson) both are doing really amazing things with miniature environments

Other than jewelry: Travel as much and as often as my job permits.

Currently listening to: It’s a radio station not a specific band. Magic 92 San Diego is playing round the clock in the studio, it’s all 90’s hip hop and R&B slow jams.

See more designs on Digby and Iona's site and be sure to follow the brand on Instagram for some stunning one-of-a-kinds and glimpses behind-the-scenes.

Diane Dorsey's Signature Stack

Diane Dorsey is a metalsmith from a town near Santa Fe, New Mexico. I first saw her work in person at Metalmark, a fine jewelry store in Denver, and was immediately drawn to her rings. They are beautifully crafted and easy to stack. They are also easy to wear because they have an organic texture and a soft matte finish. The stack that stuck with me included imagery of an egg, a clover and a staurolite. Diane shares her inspiration behind these designs below! 

This year I’ve been thinking a lot about the role luck plays in our lives. As we all do I believe. What is it? Does it exist? Is it a just a meaningful coincidence? Many of my new pieces are inspired by luck, and its symbolism in many cultures. This trio of rings is my talisman of luck, prosperity and abundance.

I draw a lot of inspiration in my work from minimalist artists of the ‘60’s - one of my favorites is Agnes Martin, whose studio and home was just down the road from where I lived in Galisteo, New Mexico. Like Martin, I look to nature to inform my expression of the purity of everyday life. And, as an architect, as well as an artist, I’m drawn to sculptural simplicity for its honesty and clarity of form.

On Eggs

I have a long and winding obsession with the egg. I’ve always been drawn to the form…it’s elegant and simple lines, and the myriad of egg shapes varying with each bird. And, beneath it all, it’s deep symbolism. For me, it’s the ultimate symbol of birth and creation, fragility and strength.

On Staurolites

I first came across a staurolite on a visit to Taos, one of the few places in the world where they can be found, deep in the Sangre de Christo mountains. Struck by its pre-historic nature but ultimately, its modernity as well as its symbolism as a talisman of luck, I began to collect and then use them in my antique beaded work. I cherish the originals as a muse for carving my own staurolites out of sterling silver and 18K gold.

On Clovers

As a child growing up in Ohio I used to lay in the vast fields of clover surrounding our home and search endlessly for four-leaf clovers. They represent a deep attachment to ‘place' and peace of my childhood. I’m ever grateful and elated for the trip from ‘there’ to ‘here,’ and of the simple beauty of a four-leaf clover.

My signature stack, rendered in gleaming noble metals, with shapes symbolic of good fortune become a nested trio of tangible affirmations.

Monica Marcella x A Thousand Facets

I was digging through half finished blog posts (I know, I know, I need to stick to a schedule) and I came across an interview I did with Moncia Marcella and Joanne, the jewelry lover behind A Thousand Facets. Monica recently created a custom ring for Joanne using a special stone cut by the one and only Top Notch Faceting. These gals have a true admiration for each other and worked together on designing the piece - the result is stunning. In the recent, much-needed, spirit of communication and togetherness, I thought this would be great to share! Also, I hope it inspires you to collaborate - on anything - but hopefully something sparkly.

Joanne: I'd been talking to Top Notch faceting for couple of months, I wanted one of his stones since the first time I saw his work and he was kind enough to reserve some time for me, just in time for my birthday. I've been wanting a Monica Marcella ring for a while as well. Her work is beautiful, timeless and her craftsmanship is impeccable. She is someone that is very passionate about her work. If you meet her, she exudes the most positive energy and love of anyone I've ever met. I knew owning a piece made by her would have part of her heart. That was really important to me!

Monica: I do a lot of custom work, it's such a treat because I get to work directly with someone about the project start to finish. This was an especially wonderful experience because Joanne really knows and has a passion for jewelry. She is a veritable encyclopedia, she knows genres and makers and she also knows how to fabricate and make jewelry. She understands the process from the beginning to the end. It was such a pleasure working with someone who truly understood all the steps it takes.

Joanne: I had a vision in my mind of what I wanted it to be, but I wanted Monica to give me her input and show me her ideas. We went diamond shopping together and bought some beautiful diamonds from Rough Diamond World to compliment Top Notch Faceting's zircon.

Monica: We spent an afternoon together picking out diamonds- can you imagine a better way to spend an afternoon? I knew this was going to be a sparkler of a ring so I suggested we add some leaf shaped shields that I fabricate. She agreed that these would give the eye a place to rest in the midst of all the bling. She was so patient and gave me plenty of time to sit with the stones during design.

Joanne: Monica is a sweetheart to work with, she let me be very involved in the process, I would say something and she would expand it in a more beautiful direction. That was amazing, I would just have to say one word and she ran out with it!

Monica: I was very excited to get to work with a friend for this special set. But I have to admit, I was nervous! The zircon is such a thrilling stone cut so masterfully, I just wanted to do it justice and make Joanne happy. In the end it all went perfectly, all the stones behaved themselves as I set them and Joanne was over the moon when I delivered the rings.

Joanne: I LOVE the finish product, it came out so much better that the original idea I had!! And now it has the option of adding more stacks. I love collaborating with designers, I've had couple of collaborations during my "blogging" life and is something that makes me so happy! Being able to work with an amazing designers,give and take input, and come up with a piece of wearable art that will surpass generations, is one of the most rewarding things in my life!

Monica: I'm thrilled with the end result. Making this a two ring stacker set was something I had not planned at the beginning but as the project progressed it seemed like a very natural answer. She can flip the rings and the result will always be a new composition.
 

Johnny Ninos

Johnny Ninos is a maker. He has a strong aesthetic and his designs are beautifully crafted. His jewelry is simply stunning. I'm going to leave it at that - get to know more about Johnny below.

The Beginning

During high school and through college I worked as a studio assistant for a few artists.  One a woodworker, one a potter, and the other a sculptor.  Each of them professors in the art department at Alfred University which was in the town where I grew up and the college where I would eventually receive my BFA.  They were all extremely knowledgable and passionate about their work and liberal with their knowledge.  I’ve always gravitated to working with my hands, I love the smells and creative cloud that generates in a makers space.  I also love the problems and time earned solutions.  Working with these artists was my first glimpse into the logistics and quality of life that is lead by making.  Their workweek outside of teaching is defined by product rather than hours and each day offers unique challenges and questions with creative solutions.  Although these artists did not create jewelry they pointed me in a direction that would eventually lead to jewelry.     

Soon after college in 2007 I followed my girlfriend who is now my wife out to California where we both picked up jobs at a neat little school called Midland, her as the art teacher and my class focused in metalworking.  My curriculum was open, but the students wanted to keep jewelry in the mix as it had previously been offered.  With the help of youtube and a few books I was able to stay ahead of my students and although I was new to these processes my background in sculpture allowed for quick translation.  I made piles of work, most of which weren’t so great.  I was using the torch in new ways from what I was used to and gaining confidence with this new scale.  It’s super fun looking back and picking apart the approach and thought process behind these first pieces;  I hope it’s how I look at my current work in 10 years.  It was also at this time I crossed paths with jewelry maker and Love & Luxe owner Betsy Barron who was graciously open to selling and promoting my work alongside artists I was honored to be amongst, pushing me to grow my craft and concepts.  

The Process

I do sketch a lot, but mostly to get an idea out and problem solve.  I typically think differently in three dimensions and when I begin a piece at the bench I allow room to improvise.  I really appreciate time for an idea to boil down and shake out the unnecessary.  Much of my work begins in wax which offers a lot of flexibility and forgiveness and in a way is like three dimensional sketching.

The Inspiration

I’m open to inspiration wherever it may come from, but I’m often drawn to nature and hang out in the intertidal zones here in CA as much as I can (I’d be damned if I didn’t come out of that with something).  The jewelry community is also inspiring; there are so many amazing artists who are continuously pushing their craft and I find that a renewable source of fuel.  When I was just starting to make jewelry I discovered Sandra Enterline’s work for the first time at Gallery Lulo!  I left that space so inspired to create.  Her work seemed perfect to me; incredibly crafted and considered with elegance and confidence.   Other artists that reignite the fire if the fuel gets low: Gustav Reyes, Todd Pownell, Polly Wales, Dukno Yoon, Jacqueline Cullen, Emanuela Duca.

Favorite design: I really enjoy my Barnacle Rings.  I want to continue to see my work evolve and not get stuck working on the same piece on repeat, however I don’t think I will get bored making these.  I still have so many designs within this style I have not yet explored and I think about it and look forward to it every day.  I also love making my industrial decay rings.  They are challenging and evolve so much as I’m building them which makes for a super fun process and exciting result.  

Personal collection: I don’t have a collection yet however I would love to build one.  I would probably start with the above mentioned designers and move from there. 

Daily jewelry: When I read this question all I could think about is something my mom says occasionally, “The painters house is never painted”.  When I first heard this I thought to myself, this makes sense- who wants to paint their house when they’ve been doing it all day for others?  However, is there a lack of pride or purpose in ones work or even a dislike of your daily occupation to be unwilling to do it for yourself?  Long story short, I don’t wear any jewelry other than my wedding band, but I love making it.  So maybe the painter just wants to play with his/her kids when they get home.  

Other than jewelry: hang out with my family, go to the beach, cook, eat, run, make things, teach, draw, hike, clean, bike, sleep, watch movies, drink tea, drink whisky, think about well crafted shoes, think about well crafted chairs, long for well crafted shoes and chairs, listen to music.

Currently listening to: Band and album are hard for me to nail down, not because I have too many, but I tend to listen to music via pandora and my taste jumps around a bunch.  Currently I’m listening to a built up station with Sylvan Esso as the focus. Also, If you haven’t seen “Roll the Bones” by Shakey Graves on YouTube, you should do that right now.  

Erica Bello

There's nothing better than discovering a designer who has a strong, unique voice and Erica Bello definitely does. She creates bold jewelry with 3-D elements. Each piece feels like a miniature sculpture and I want to wear them all - think of the rad stacks and layers that can be created with these! I also love her use of oxidized silver, especially when paired with black diamonds. Get to know more about Erica as well as her process and inspiration below!

The Beginning

I have been working with metal since I was a teenager. Our high school offered jewelry courses and after a few classes I was hooked, spending every free period I could working in the studio. Following my graduation I took a job as a bench jeweler, and although I found that repairing fine jewelry came as second nature to me I wanted to get away from the commercial jewelry industry and create something of my own. In 2011 I received my BFA in jewelry design/metalsmithing from the School of American Crafts at RIT and went on to pursuer a career in jewelry as an independent studio artist.

The Process

Most of my work starts with a sketch. My drawing process is very quick and minimal focusing mainly on form. Some ideas can remain sketches for months before they are refined using Rhino, a CADD program which allows me to experiment with scale and composition. Once a rendering is complete it can be used as a template to fabricate three-dimensional forms or printed as partially finished pieces. Hand finishing goes into every piece of jewelry to achieve the oxidized surface that I use for most of my work.

The Inspiration

Architecture has had a huge influence on me. Since moving to Baltimore in 2015 I have become passionate about exploring my environment. I am fascinated with the idea of reducing powerful architecture elements into small intimate jewelry pieces. I pair this concept with early 20th century jewelry silhouettes, mixing masculine and feminine forms together.

Favorite designs: I always get attached to my one-of-a-kind pieces so those are usually my favorites. I love the Crossbeam X and Graduated Pop-Up necklace, both were hand fabricated so a lot of love went into each piece.

Personal collection: The more recent addition to my personal collection is a cluster brooch made from re-purposed skateboard decks by Tara Locklear.

Daily jewels: Most of my daily jewelry is pretty low key. The piece I wear the most is a vintage silver band with a bit of hand engraving.

Favorite artists: Eve Hesse, Robert Morris, Mark Rothko, and Walton Ford.

Minimalism clearly had a huge impact on my work, but I also admire artists like Walton Ford who's detail and craftsmanship is something to be admired.

Favorite jewelry designers: Otto Kunzli, Mallory Weston and Göran Kling.

I'm also a huge fan of the contemporary jewelry coming out of Melbourne right now and I love the work of Suzi Zutic and Emma Jane Donald.

Other than jewelry: So much of my time is devoted to my studio that when I find a free moment I love getting outside. With the addition of our three year old husky, my boyfriend and I often spend our free time exploring areas around Baltimore. Even when we travel for shows we’re sure to work in some time for an adventure.

Currently listening to: Music-wise, I’ve been into to Sleater-Kinney and Mischief Brew lately, who came out with new albums last year, but in the studio I’m usually listening to podcasts/audio books.

Sarah Swell

After being drawn in by Sarah Swell's fishbone series, I had to know more about her work. Sarah's designs are classic and organic, but also have an edgy vibe. They are beautifully crafted. Currently, Sarah is expanding her line to include more one-of-a-kind pieces. She released three very unique necklaces a month or so ago and is debuting rings TODAY. Below is a look at her new rings as well as a short interview!

The Beginning

After dropping out of art school (I was studying painting) I was feeling pretty lost. I took an introductory jewelry class and something immediately clicked. Everything about it felt right, from the materials to the combination of design and entrepreneurship that being a jewelry designer calls for. I knew I had found "my thing." I moved from Boston to San Francisco to attend the Revere Academy of Jewelry Arts and later worked for designer Sarah Graham. I felt it was very important to hone my skills and learn about the jewelry industry before launching my own business in 2009. 

The Process

I definitely sketch a lot, but I wouldn't necessarily say that I do it first before creating a piece. I usually end up going back through my many sketchbooks and taking bits and pieces from various ideas as inspiration for whatever I'm creating. I find that trying to directly translate a drawing into jewelry can sometimes feel forced. Once I start working in either wax or metal, the design often takes a turn away from my original idea anyway. With designing jewelry, you can plan and plot all day, but so much of the outcome of a final piece depends on how it feels on and how it moves with the body. There's just no way to predict that without actualizing it.

The Inspiration

Nature and ancient jewelry. I've always been in awe of the natural world and how everything is just so perfectly imperfect. I like to take a subtle shape or texture from nature so that the finished piece has a familiarity to it but the source of inspiration isn't obvious. I also am enthralled with ancient jewelry, Egyptian in particular. I love the sculptural quality and meaning behind the pieces.
 

Favorite designs: I always come back to the fishbone series. We just started making the bracelet in solid 14k and it's so luxurious! I'm also really drawn to my edgier pieces, even though they aren't our best sellers. I love the spire collar in oxidized silver and our new mountain inverted huggie hoops in gold.

Personal collection: I have this cool vintage brass collar-style piece that isn't very valuable. I turned it into a headpiece that I wore on my wedding day, so that is very special to me!

Daily jewels: I always wear two ears full of studs. I have 6 holes in total and love mixing and matching studs from my collection with the work of other designers. It's kind of subtly bad-ass and easy! I also always wear lots & lots of rings and they somehow don't bother me when I'm making jewelry. 

Favorite designers: Alphonse Mucha, Edward Weston, Imogen Cunningham, Frida Kahlo, Ernst Haeckel, Alexander Calder and Harry Bertoia.  

My favorite contemporary jewelry designers include Gabriella Kiss, Anthony Lent and Todd Pownell.

Other than jewelry: I've become a pretty dedicated yogi over the past year. I try to practice most days and find that it helps every other aspect of my life. I'm also a major foodie and love trying new restaurants. Plus, I hang out with my dog - ALOT.

Currently listening to: I'm completely obsessed with Lord Huron. It's pretty much all I've been listening to lately, somehow I'm not getting sick of it!

Below are some of my favorite designs by Sarah Swell. Also, TODAY she is debuting one-of-a-kind rings on her website! Go take a look.

Workhorse Jewelry

I have been following Workhorse Jewelry for several years, but I didn't see the pieces in person until recently. I also met half of the sister duo, Amber, who layers and stacks jewelry better than anyone. This line is brilliant. Each piece is antique inspired but has a modern twist. The designers, Nicole and Amber, have a passion for the meaning and symbolism behind each. For those who love antique jewelry but don't love the hunt, this collection is for you! Get to know a bit more about Nicole and Amber below.

The Beginning

My sister Nicole and I have always been attracted to collecting antiques as far back as we can remember.  Every Sunday our grandmother would take us to local flea markets and give us a few dollars to buy tiny ‘treasures’.  As we got older this ritual often concluded with the final purchase being a ring or bauble of some sort.  Fast forward to college while on a semester abroad program in Florence, Italy, I took an intro to metalsmithing course.  I remember one of my first projects was making a convex band ring.  I felt so accomplished and stoked on the finished product and also very ‘at home’ with the whole process.  I was hooked!  A few years after graduation, feeling a bit disenchanted with our first real jobs, we both decided to pursue the craft and went back to Italy to study metalsmithing. 

The Process

We really don’t sketch much.  Sometimes I'll will do a rough drawing to show Nicole what I am thinking about and vice versa but it's not technical.  My process is a bit free-form. Before each season I start researching different historical trends or time periods by looking through museum catalogs, library books, web resources, etc.  Then I go on a search for the antique pieces that will be the basis for the next collection.  Sometimes it just works out that I happen upon a loose theme when buying the originals (celestial or hunting animals for instance) and then I elaborate from there.    

The Inspiration

The great thing about Workhorse is that each piece is born from the past.  Ideas spring up from an endless supply of inspiration: mythology, astrology, history, royalty, mourning jewelry, art deco geometry, weddings, flowers, the moon, travel, vintage fashions, photography, famous women, motherhood, the feminine and so on…

Favorite Designs & Daily Jewels

One of my favorite Workhorse designs is the Victorian hand holding it’s many objects.  Not only is it a conversation piece because it looks cool but it moves too! In fact, the original hand fob was one of the first antique pieces we purchased and it played a big part in the initial inspiration for the company. 

A favorite in my personal collection is a yellow gold diamond-shaped signet ring with black enamel I found at a flea market with my and my fiancé’s initials intertwined.  What kismet to find a ring I loved WITH the perfect initials - it had to be mine.

We have so many styles so it’s really fun to change it up.  I love to wear a ton of cuffs and our pave signet rings have been on repeat lately. But there are a few items I rarely take off:  my grandfather’s vintage Longines watch, a pair of tiny mismatched initial studs from Zoe Chicco, one for my son and one for my fiancé and my engagement ring.  

Other than jewelry: We like to cook, hang out with friends, travel, eat!  I’m lucky – I live in the Palm Springs area and nine months out of the year the weather is perfect.  I love to sit outside with a glass of wine and watch my son, Wilder, run around.  Nicole just recently had a baby boy in August so we look forward to spending time together whenever we can outside of work. 

Favorite Artists & Designers
 
I've always been drawn to black + white photography.  Some of my faves include Henri Cartier Bresson, Edward Weston, Vivian Maier and ManRay. 

Lately we’ve been crushing on a few stylists & interior designers via Instagram – Sarah Sherman Samuel, Justina Blakeney, Amber interiors. 

As for clothing, I like feminine pieces that are bohemian and fun - my favorite designers include Ulla Johnson, Doen and Heidi Merrick. Nicole is more of a tomboy and her tastes seem to the more organic and nostalgic. She loves vintage basics like tees and overalls and has been coveting a hat from Sam Roberts LA.  

Currently listening to: My go to artist is Nicki Bluhm – she’s a true song bird and is so great live.  I’ve never been a huge music person and usually prefer a podcast, NPR, or talk radio but my fiancé recently introduced me to Tom Petty’s Buried treasures channel (Sirius) and I’m obsessed with all the vintage tunes he plays.  

Silver is Coming

Elisha, the lovely lady behind Art Adorned, started a movement to showcase silver jewelry and asked me to participate. She wants to create a community for silver lovers to share their collection.

As you know, this blog is called 'STAY GOLD' and I tend to prefer bright yellow gold, however, I do also love silver. I mean, I love jewelry in general and often gold can be a bit out of my budget. Also, several of my favorite vintage pieces are silver. So, I have accepted the challenge and will be sharing silver every Sunday using the hashtag #SundaySilver. I hope you join in too!

And now for some of my favorite silver designs...

Baltera

At an event last month I met Julie and Rudy, the designers behind Baltera. It was towards the end and I thought I had seen everything, but then, I spotted their rings! Incredibly well-made braided bands, ideal for stacking. Not only are the designs beautiful but the designers are enthusiastic and passionate. They have a love of mid-century modern and you can see that throughout the simplicity of their designs. Each piece feels thoughtful but also unique and interesting.

The Beginning

Rudy: In 1992 while studying as a sculptor, I took classes and experimented with jewelry.

Julie: In 2012 I lost a match to an earring, and the company I bought it from no longer existed. When I asked Rudy to make me another, I realized well, if we are going to spend the time and money why not just make something I really want - that led to the initial designs for Baltera.

The Process

Research research research. It all starts with a concept then research to make sure a beautiful version does not already exist in the marketplace.  Then we both sit down and start with individual sketches and studies. Once we agree on a design/sketch we get together and create more detailed drawings, then Rudy takes that and creates an initial 3-d sketch so we can start to tweak the 3-dimensional feel of the piece.

Julie: Sometimes I still create a little Marquette in oil based clay or plaster (my 3-d sketch) and show it to Rudy to get his feedback. There is a constant back and forth between the two of us- lots of constructive criticism and reworking of every detail. After multiple tweaks, and sometimes going back to the sketching process, we start a 3-d model. Then we create a 3-d print which we hand chase, then we create a mold and cast initial silvers.

Rudy: I usually draw forms in my sketch books, sometimes they'll resemble traditional jewelry forms, other times they'll become abstractions. Sometimes they are simply linear sketches or patterns, occasional they'll take on more dimensional forms

The Inspiration

History.  Art & Design- from the Etruscans to French Art Nouveau to Charles and Ray Eames; we love a beautiful form superbly crafted. We are inspired by the skilled approach to making and interpreting new forms, by Artists & Designers pushing the parameters of their chosen material/mediums. From ancient gold smiths building elaborate chains to Gropius's groundbreaking use of industrial materials for the ultimate residential minimalist environment. Form, composition, line, mass, scale, seeking perfection rooted in these, understanding trends without succumbing to them, these elements all inspire us and our collection.

Rudy: Mostly contemporary art, design and architecture, some from antiquity but mostly modern.

I think our cuffs are our favorite right now! We just finished them and we are both are very proud of them as objects and as a beautiful & comfortable piece of jewelry.

Julie: My favorite personal piece is a toss between a small opal necklace my grandmother gave me and an organic sterling silver ring Rudy made for me when we first started dating.

Rudy: The Deco Propeller cufflinks we designed for our friends and family at our wedding.

Julie: Right now I wear our Osiris studs in 18k gold with white enamel. White & gold is a classic combo I feel I can rock with any outfit. I always have two of our classic braided rings stacked- usually the Cinque Plait with our Sottille - In matte finish of course! When I am going out I throw on our classic plait cuff and sometimes stack on a few more rings!

Rudy: I wear the Ampio Plait ring in matte silver.

Of course we both always wear our "wonder twin power" platinum wedding rings!

Julie: Wow, there are a lot! Artists: Mathew barney, Louise Bourgeois, Durer, Jan van Eyck, Goya, Charles Sheeler, Jordan Wolfson, Edward Burtynsky. Designers: Alessandro Michele can do no wrong, Alexander Mqueen, Eero Saarinen, Charles & Ray Eames, Jaime Hayon, Emile-Jacques Ruhlmann -too many to pick just one!

Rudy: Jean-Robert Ipoustéguy, Syd Mead, H.R. Giger, Pio Manzú, Carlo Mollino, Louis Sullivan, Francis Bacon, Erwin Hauer.

Other than jewelry: We tend to work around the clock but whenever we have a chance we head up to our family cabin. Five years ago, we made a collective decision to upgrade from our Thoreau-esgue cabin with a double seater outhouse (very romantic) and build one ourselves, (yes, my Mom, Dad, Brother- us and any one willing to swing a hammer) with actual plumbing this time.  Five years later, two stories, a laundry room, and several healthy debates over floor plans & who measured once and cut twice, and we have a paradise!

Of course any other free moments are devoted to our number one muse- Twixx, our black & tan dachshund!

Currently listening to....

Julie: 'I have tried in vain to disconnect my brain' by Plastikman is my favorite song, my favorite bands are Adult, Tame Impala & Metric.

Rudy: 'This Town Ain't Big Enough For Both Of Us' by Sparks, Boards of Canada, Todd Terje, Die Antwoord & Metric.

Boheme Collection by Delphine Leymarie

Delphine is one of those people who I can truly describe as a kindred spirit. She is honest, interesting and colorful. So, when I first saw her new Boheme collection, which feels like an authentic representation of her soul, it brought me to tears. Her designs have always been unique, but this new collection feels very special, even more-so in person. 

This collection is Delphine's take on love and commitment - it showcases her trademark architectural aesthetic, with a softer romantic twist. The inspiration comes from timeless elegance and luster of pearls. Other sources of inspiration were wildflower bouquets and cacti in bloom. While designing the pieces, Delphine let her free spirit, French heritage and exotic wanderlust truly shine through. The result is modern bohemian-chic.

See more designs here and make sure you follow Delphine on Instagram.